
THE ACTS OF REBURIAL
THE ACTS OF REBURIAL
Justice was partial. Denial is absolute.
Denial: the final stage of genocide
In much of the world, the sites of genocide have been preserved as solemn reminders: Dachau, Auschwitz, Treblinka — places transformed into warnings for future generations. Now imagine if those sites were paved over. If their names were changed. If the crimes committed there were denied by elected officials. If the perpetrators were celebrated as national heroes. If children were taught a fictional version of history in which none of it ever happened.
This is not a thought experiment. It is what is happening in Bosnia — today.
The genocide in Srebrenica, which culminated in July 1995, was not an isolated event but the final chapter in a broader campaign of systematic persecution and violence against Bosnia’s Muslim population. On April 6, 1992, Bosnia and Herzegovina declared independence, with Bosniaks — Bosnian Muslims — forming a majority. In response, Bosnian Serb nationalists, supported by the Serbian government and the Yugoslav National Army, launched a brutal war aimed at territorial conquest, and forced displacement by any means necessary.
Despite being declared a United Nations “safe area” in 1993, Srebrenica, a town in eastern Bosnia, fell in July 1995 to Bosnian Serb forces under General Ratko Mladić. With no resistance from UN peacekeepers, Bosnian Serb troops began systematically separating men and boys from women and girls. The men and boys were taken to execution sites, tortured and murdered en masse. Their bodies were buried in 94 mass graves, which were later disturbed, moved to secondary and tertiary graves in an attempt to obscure the evidence and prevent identification. 30 years later, many of those graves have not yet been found.
But Srebrenica was not the only manifestation of genocide. Between 1992 and 1995, atrocities occurred across Bosnia: in Prijedor, Foča, Višegrad, and dozens of other towns and cities. Muslim women were subjected to systematic rape, forced impregnation, and murder. Muslim men were executed, tortured, or starved in concentration camps. These crimes were part of a coordinated strategy: to reshape Bosnia and Herzegovina and incorporate its land into Greater Serbia by expelling, terrorizing, and erasing its Muslim population. The campaign included mass imprisonment, torture, sexual violence, human trafficking, cultural destruction, forced displacement, and planned executions of civilians — men, women, children, and the elderly alike.
According to the International Commission on Missing Persons, of the 8,373 murdered in Srebrenica, 7,017 have been identified through DNA. More than 1,000 remain missing. The war in Bosnia displaced over two million people and killed more than 100,000 — over 80% of them Muslim. Between 20,000 and 50,000 women were raped. More than 30,000 people were held in concentration camps.
Thanks to DNA evidence and the testimony of courageous survivors — many of whom continue to face discrimination and threats — the International Criminal Tribunal for the former Yugoslavia (ICTY) and the International Court of Justice both formally recognized the Srebrenica massacre as genocide. Twenty individuals were tried at the ICTY. Fifty-seven appeared before Bosnia’s State Court, resulting in four life sentences and dozens more convictions.
International recognition followed. On May 23, 2024, the United Nations General Assembly adopted Resolution 78/282, declaring July 11 the International Day of Remembrance of the Srebrenica Genocide. Dozens of countries and cities now mark this date annually.
The story inside Bosnia however has been the opposite.
The 30 years since the genocide have been marred by decades of denial and attempts at erasure. In schools inside Republika Srpska, children are taught the genocide never occurred, and convicted war criminals are hailed as heroes, while the sites of massacres are slowly being erased with the support of the government of Republika Srpska. These events not only retraumatize the victims and their families, they set the stage for an inevitable future attempt at genocide.
As we approach the 30th anniversary of the Srebrenica genocide, the lack of meaningful accountability and the normalization of denial make this moment urgent. The machinery of genocide denial is now fully operational, with support not just from local governments but from elements of the international community that have failed to enforce truth and justice.
This is why The Acts of Reburial must be made — now.
ERASURE: BURYING CRIMES
44°12'42.2"N
19°11'27.5"E
In recent years, the rhetoric of denial has ramped up to concrete actions aimed at erasure of sites of genocide. Republika Srpska has begun denying access to sites of massacres both to survivors and their families, as well as anyone else who has requested it, and recently have begun to dismantle or “renovate” some of the sites, permanently erasing the physical evidence of the crimes.
14 JULY 1995
The executions were conducted in the largest of four warehouses (farm sheds) owned by the Agricultural Cooperative in Kravica. Between 1,000 and 1,500 men had been captured in fields near Sandići and detained in Sandići Meadow. They were brought to Kravica, either by bus or on foot, the distance being approximately one kilometer. A witness recalls seeing around 200 men, stripped to the waist and with their hands in the air, being forced to run in the direction of Kravica.
At around 18.00 hours, when the men were all being held in the warehouse, Serb soldiers threw in hand grenades and opened fire with various weapons, including rocket propelled grenades. In the local area it is said that the mass murder in Kravica was unplanned and started quite spontaneously when one of the warehouse doors suddenly swung open.
Armed guards shot at the men who tried to climb out the windows to escape the massacre. When the shooting stopped, the shed was full of bodies. Another survivor, who was only slightly wounded, reports:
“I was not even able to touch the floor, the concrete floor of the warehouse… After the shooting, I felt a strange kind of heat, warmth, which was actually coming from the blood that covered the concrete floor, and I was stepping on the dead people who were lying around. But there were even people who were still alive, who were only wounded, and as soon as I would step on him, I would hear him cry, moan, because I was trying to move as fast as I could. I could tell that people had been completely disembodied, and I could feel bones of the people that had been hit by those bursts of gunfire or shells, I could feel their ribs crushing. And then I would get up again and continue…”
In 2024, the location of the murders, Agricultural Cooperative in Kravica, was “renovated” after decades of local Serb authorities refusing to make it a protected remembrance site.
THE FILM: TAKING DENIAL HEAD ON
Thirty years after the Bosnian genocide, The Acts of Reburial exposes a vast campaign of denial—engineered by nationalist regimes, enabled by global apathy, and even legitimized by the very institutions tasked with delivering justice. This is not just a story of Srebrenica, but of a broader, carefully coordinated and carried out genocide campaign being eroded, while its victims continue to be targeted and humiliated.
Project Summary:
In 1995, the massacre of over 8,000 Bosniak (Bosnian Muslim) men and boys in Srebrenica was recognized by two international courts as genocide. But The Acts of Reburial confronts a larger truth: that the entire war in Bosnia—from 1992 to 1995—was a campaign of coordinated, systematic genocide against Bosnia’s Muslim population.
The documentary investigates how denial has become institutionalized—not only within the Serb entity of Republika Srpska and Serbia itself, but also through the selective framing by some international institutions of global diplomacy. While the international legal system acknowledged the genocide in Srebrenica, it stopped short of declaring the full scope of the war for what it was: a genocide carried out with genocidal intent across dozens of municipalities. The result is a fragmented truth that enables nationalists to claim that genocide was “limited,” or a “mistake,” rather than a key instrument and central objective of the war. Phrases such as “ethnic clensing” were invented to try to sanitize and water down the language with which the genocide in Bosnia was framed.
Narrative and Investigative Scope:
Through interviews with survivors, legal scholars, and war crimes investigators, the film will expose the depth of this denial. It will show how war criminals have been turned into folk heroes, how historical facts are actively rewritten, and how even institutions of law can become complicit in softening, sanitizing, or outright distorting the truth.
We will go beyond Srebrenica—documenting genocidal campaigns in Prijedor, Foča, Višegrad, Zvornik, and beyond—where tens of thousands of civilians were murdered, tortured, and systematically raped. We will give voice to the survivors, speak to the individuals takes with investigating the crimes, and go after the perpetrators, propagandists, and architects of the genocide. This will include figures within the international system who contributed to the erasure.
Among them is Christoph Flügge, a former judge at the International Criminal Tribunal for the former Yugoslavia (ICTY), who publicly questioned whether the Srebrenica massacre was genocide—even while overseeing the trial of Ratko Mladić, who was convicted of that very crime. His position exemplifies a broader failure: courts that have left a legacy of partial or undelivered justice, and many of those who have perpetrated crimes still walk free, sometimes mere meters away from sites of the killings.
Why This Film Matters Now:
Denying genocide is not just a moral failure—it is an extension of the crime itself. In Bosnia, denial is not a fringe idea; it is state policy of nearly half of the country. It is embedded in school systems, media narratives, government rhetoric, and even in diplomatic speech. And it’s not confined to the Balkans. It spreads through global networks of extremism, digital disinformation, and geopolitical apathy.
As fascist ideologies rise again across the globe, The Acts of Reburial serves as a wake-up call. It’s about Bosnia, but also about how truth is negotiated, diminished, and destroyed in the global public sphere. If the most documented genocide since the Holocaust can still be widely denied decades later, what does that say about our world and our future as humanity?
Support & Call to Action:
We are now raising development and production funds and actively seeking partnerships with human rights foundations, investigative journalism institutions, and Bosnian and Bosniak diaspora organizations. Your support will enable us to conduct interviews across Bosnia, Serbia, The Hague, and beyond—to access court archives, confront difficult subjects, and bring this story to the global stage. To get involved see how you can volunteer or donate below.
This is not just a film. It is an intervention—a final stand against forgetting, distortion, and the normalization of atrocity.
The world may have buried the truth. We are here to exhume it.
the team
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Harun Mehmedinovic
DIRECTOR
Harun Mehmedinović is a Bosnian film director, cinematographer and producer. He is a survivor of the Siege of Sarajevo, the longest war siege in modern history. Harun co-produces and filmed Leonardo DiCaprio’s Ice on Fire, IMAX epic Grand Canyon: Rivers of Time, Legion 44 and In the Name of the SOn, among others. Harun’s a frequent collaborator with legendary bands The Rolling Stones, Roger Waters, Paul Simon and John Mayer in creating their concert visuals, as well as a contributor to National Geographic, BBC, Time Magazine and many other prestigious publications. Harun is a graduate of American Film Institute and UCLA School of Theater, Film and Television.
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Suki Medencevic, ASC
DIRECTOR OF PHOTOGRAPHY
Suki was born in Derventa, Bosnia and Herzegovina. He is a graduate of the prestigious National Film
School (FAMU), Prague, Czech Republic, where he earned his Master's Degree with Honors in cinematography. Since his first feature film shoot in 1994, he has been working in the film industry as a cinematographer for features and made-for-TV films, television shows, commercials and documentaries.
He was involved in several high profile documentaries for Pixar, ILM, The Hearst Corporation. For his work as a cinematographer he earned several international awards, including a nomination for "The Golden Frog" at Camerimage, The International Film Festival of The Art of Cinematography, and "The Best Photography Award" at Mostra di Valencia international film festival in Spain.
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Dr. Alma Pekmezovic
LEGAL ADVISOR
Alma is an attorney with extensive background in law and development, having authored numerous
publications in this field. She has also worked as an Editor at the Human Rights Clinic at
UCLA School of Law in Los Angeles, California, where she closely collaborated with Professor
Richard Steinberg on the UCLA ICC Forum. Her expertise will be invaluable in addressing questions
related to the ICTY and legal judgments.
Timeline & Budget
Phase 1: research, production & Seed funding
Seed Funding Needed: $25,000
First phase outcomes:
Research & production of a reel for the project.
Assembly of a robust pitch package for the second phase of funding (estimated EUR 150,000)
This budget is intended as a basic framework, with the aim of enabling filming to begin. Further grants will be sought after the initial seed funding to ensure all technical requirements and additional production work are met.
partner with us
We are in search of organizations and businesses that are interested in partnering with us to execute this project.
VOLUNTEER
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RESEARCH
Collect examples of denial rhetoric (statements, interviews, textbooks, political speeches, etc).
Map and document existing, erased or transformed killing sites (for example Kravica Warehouse).
Locate original wartime videos taken during and around the massacres for future “then/now” juxtaposition shots.
Identifying stories of victims, survivors and their families.
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COORDINATION
General coordination in contacting participants who will be interviewed and/or consulted for the film.
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FUNDRAISING & GRANTS
Research applicable grants, fellowships, and development labs.
Help identify potential partners, NGOs, and institutions aligned with the film’s mission that could provide funding and support.
Find possible individuals who could help fund the project.
DIRECT DONATION
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MAKE A TAX-DEDUCTIBLE DONATION
The Bosnian American Genocide Institute has partnered with us to re-grant funding that is donated on behalf of the film.
Click here to to make a tax-deductible donation or use the Donorbox form below.
Tax-deductible donations only apply to residents of the United States.